Menial Music

I love menial tasks and manual labor.

These kinds of things require no effort. How much do you have to think to mow the grass? You don’t. I get the vast majority of my thinking done while mowing. One of the best days of my rapidly-fading summer involved going over to a friend’s house to move 7 truckloads of dirt across the street. 3 of us shoveled all day, got hot and sunburnt, were sore the next day, and enjoyed every second. It wasn’t because we’ve taken up digging as a hobby – it was just an excuse to get together, blow of some steam, and BS for the better part of a day. The digging in and of itself was hardly mentally strenuous.

This is a philosophy I’ve applied to many aspects of my music. As of late, the pieces I write are not difficult to play or difficult to learn. They’re not difficult to listen to. Why should they be? This goes along with my idea of playing four notes with nothing to hide, rather than forty with something to prove. I’ve come to notice, especially after the Canadian Guitar Festival, that guitar music generally does not strike me. Music that can be applied elsewhere, on the other hand, sticks with me very well.

I compose strictly for myself these days, and focusing less on chops and flash has really augmented my melodic sense in writing. When I compose, I tend to check my melodies on piano to see if they stick. If it works, it stays. If it sounds bad on piano, it goes. Piano is the great leveler in music, I think. You press a key, it plays a note. You can apply dynamics and nothing more. There is no slapping, tapping, and the like on piano. The music either floats or sinks. Once I record an album, I want to rerecord it on piano just for kicks. After that, I might orchestrate it. It will still work.

The less complex my compositions get, the easier they are to listen to, the more interested I am in them. Other people seem to be able to remember them better as well. I’d rather someone, when asked what my music sounds like, be able to hum one of my songs rather than describe me as “that slap and tap guy.” I think there are enough of those in my generation.

Photo by Tero_maaniemi

"Dig" by Tero_maaniemi

Canadian Guitar Festival Pictures on Erik Mongrain’s Site!

Erik and MichaelA few of my pictures of Erik Mongrain and Michael Manring are being featured on Erik’s website gallery. His manager, Josee, let me in on the surprise that Manring would be playing with Erik, which gave me time to set up some shots. It was tremendously difficult to get clear photos due to the lighting conditions (and the fact that I don’t entirely know my way around my camera yet), but I caught a few gems with a little luck.

How cool is that?!

New Videos and Pictures Online

In June I went to Don Ross’s Cannington Guitar Weekend. At around 2-3 am Saturday night, a group of us were sitting in the kitchen chatting instead of doing less important things like sleep. Mike pulled out his video camera and a few of us had a go at recording some tunes. I did three – Lights and two new ones, “The Bing Slide” and “Parasailing.” The latter two are still being refined, but it’s a good preview of what the final versions will sound like. Lights, on the other hand, was recorded on Don’s fabulous baritone guitar. It was a tough one to play but I’m happy with the turnout. Thanks Don!

As for recently, I was in Canada again, this time to attend the Canadian Guitar Festival. I have pictures up on my Flickr page for you to enjoy. I’ll be doing a write-up of the weekend in the next few days.

More Additions

I picked up a Vox AC4TV to go with my new telecaster. It’s a little 4 watt tube(!) amp with a variable switch that can take it down to either 1 or 1/4 watts. Volume, tone, watt switch, on/off switch.

Doesn’t get much simpler than that.

Telecaster and New Amp

Welcome to the Family

The Squier Telecaster that beat out American Fenders.

No kidding, we did a shootout at Guitar Center and this thing ($170) was more comfortable than the $1200 models, and sounded just as good to my ears. I’m rather picky about the feel of the guitars I play. I would have bought it on the spot had my favorite GC employee been there. He wasn’t, so I went back the next day to buy it. I also picked up a Vox Satchurator used for $80 (down from $125), which is one of the only distortion pedals I’ve ever liked.

Telecaster

Codename: Sackwheat.



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