More Additions

I picked up a Vox AC4TV to go with my new telecaster. It’s a little 4 watt tube(!) amp with a variable switch that can take it down to either 1 or 1/4 watts. Volume, tone, watt switch, on/off switch.

Doesn’t get much simpler than that.

Telecaster and New Amp

Welcome to the Family

The Squier Telecaster that beat out American Fenders.

No kidding, we did a shootout at Guitar Center and this thing ($170) was more comfortable than the $1200 models, and sounded just as good to my ears. I’m rather picky about the feel of the guitars I play. I would have bought it on the spot had my favorite GC employee been there. He wasn’t, so I went back the next day to buy it. I also picked up a Vox Satchurator used for $80 (down from $125), which is one of the only distortion pedals I’ve ever liked.

Telecaster

Codename: Sackwheat.

Recap: Cannington Guitar Weekend

From the 4th to the 7th I was in Canada visiting my online (and now real-life) friend Mike Anderson, as well as participating in the Don Ross Cannington Guitar Weekend Fiesta Extraordinaire (TM). It was fantastic, to say the least.

THE CARI drove up with my dad on Thursday in this absolutely ridiculous-looking candy apple red car. I swear I must have made fun of the thing for half the ride up. This promptly stopped when we arrived in Canada, having traveled over 400 miles…with a quarter tank of gas to spare. Never again will I say a bad word about that car. Ever. It was also good for splattering bugs, as we had to pull over multiple times to clear the windshield.

I pretend to be a cellist sometimesMike and I jammed for the better part of Thursday night. We traded songs and I messed around on his old Gibson archtop, as well as playing a little cello. Surprisingly it didn’t sound like a dying cat being dragged across a chalkboard, much as my viola and violin attempts have. We worked out a little bit of one of Mike’s tunes as a duet, but unfortunately never had the chance to finish and record it. It was really inspiring being able to play with another guitarist that can do the same tricks as you but takes it in a different direction…

Most of the guitar weekenders…so you can imagine what it’s like to be in a room with 14 people that can do it. Some were slappity-tappity guitarists, some were singers. We had people that could play everything from bluegrass to shred to folk on acoustic guitars. It was especially interesting not just to watch people play music, but to watch other people watch people play music. I think you get just as much of a glimpse of a musician’s soul when you watch them listen just as much as when you watch them play or perform. I certainly did.

This is My ThumbWe had two masterclasses with Don and two with his guest instructor, Thomas Leeb. I’ve known about Thomas for probably a few years now, maybe less, and have always wanted to see him perform, so this was a perfect opportunity. Both Don and Thomas were fabulous teachers as well as great people – I felt very at home talking to and learning from them. Don taught us Thin Air and Elevation Music; Thomas went over a few etudes he wrote as well as his transcription of Eric Roche’s arrangement of Jump (Van Halen). Incidentally, that transcription of Jump appeared in one of the only acoustic guitar magazines I own. I already had most of it under my fingers when I went there, but hearing Thomas play it cleared up a few funky notes I wasn’t sure of.

Final JamSaturday night was a show featuring our lovely instructors. They traded off songs for a good couple hours, with Don doing quite a few vocal tunes from his new record. Watching Thomas’ guitar (with built-in scratch pad) work was mesmerizing – he’s one of the few guitarists that completely goes over my head at times with some of his rhythms. The greatest thing about the show was that it was all in good taste; no showing off technique for its own sake. That, in my mind, is what makes these two such great musicians (not just guitarists).

Anique GrangerAfterward a handful of us stayed up til late a.m. jamming and chatting. I recorded a handful of videos which will hopefully be on youtube once I get a hold of them, including one of When the Lights Go Out on Don’s massive fanned fret baritone guitar. I’m really curious to see how that turned out. The real gem of the night, though, was this:

That would be Lukas Grant singing and playing, with Anique Granger singing harmony (I sang as well, but as I was behind the H4, I’m basically inaudible. Some would argue it’s better that way), and plenty of others adding in extra instrumental parts. The recording is completely unedited, straight from my Zoom H4 – I’m always impressed with its recording quality.

Sunday we had the final two masterclasses, as well as one last Q&A. Everyone said their goodbyes and began departing around 4:30 or 5. I ended up getting home around midnight after a nice 7 hour drive. It was really a great time, and I’ve made some lovely friends (not guitar heroes, not fellow musicians – all of them are friends now) thanks to this great adventure. I really have to send out a huge thanks to Don and Brooke for making this all happen and letting us live with them for a few days; to Thomas for coming all the way from California to teach us; and to all my fellow weekenders who were so inspirational. I hope to see you all again soon!

My photo album is here, and Dave’s pictures can be found here.

About half of us just before departure.

About half of us just before departure.

Freedom Has a Meaning For Me

Which, for people in the know, is a quote from a Sonata Arctica song (my favorite band of…6 years now I think?)

I’m finally out of school and ready to hit the studio. Also known as my room. Last night was dedicated to seeing how exactly some of these parts would turn out recorded. Some work, some don’t, so I’m back to revising. Song progress: Say Fly is done, a new vocal tune is in the rhythmic cleaning process, When The Lights Go Out is done, Parasailing needs maybe 4 bars more, and I’m writing two new songs. One is a Michael Hedges-esque airy-sounding sort of piece, with a very prominent fretless part. The other is…reggae? The verses are reggae and the chorus is a jazzy walking bassline with chord comps. Both songs are in DADEBA (Hedges’ Woman of the World tuning).

The new site layout is 95% done; the other 5% is fixing all the things that break in Internet Explorer. How exciting. I coded everything except the basic PHP structure myself because I’m a geek and enjoy spending my weekends on these type of things. That or I’m going to school for web design. In case this rock star thing doesn’t work out.

Right.

Expect much much much more soon (and more often). Studio pictures, how I’m doing this stuff, song snippets (watch HERE for those), general 3am nonsense…you know the drill.

Checking In (with a surprise. shh.)

I just wanted to drop you a line and say I’m still alive. It’s finals time: 4 written finals, a photoshop portfolio (7 projects), a 10 page paper, a book to read for said paper. A news story and a music video to shoot and edit.

Typical end-of-semester stuff.

But I recorded a very rough take of my new song over Easter. It’s called “Say Fly.” I sing.

Shh, don’t tell.



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Twitter @natesologuitar

  • @alunvaughan Sounds like you'll have an entertaining night tonight. Curious to hear both of those, looks like I have some YT surfing to do. 1 day ago
  • @DaedalusT I believe it does, but I haven't gotten around to installing it so I don't know what the keystroke is. But as far as I know, yes. 1 day ago
  • Got my new Pandora station trained pretty well. Playing quite a lot of Sonata Arctica, Nightwish etc. plus more standard power metal. 2 days ago
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